

How to Choose the Right Type for Your Logo
Understanding the strengths, limitations, and characteristics of brand mark types helps determine which one—or ones—best fit each logo design project.
Find the best thoughts, case studies, book references, debates and tips relevant to the area of communication
Understanding the strengths, limitations, and characteristics of brand mark types helps determine which one—or ones—best fit each logo design project.
A key requirement for effectively evaluating and creating logos and brand marks.
Not all logos serve the same purpose. Understanding their functions is key to designing effective visual identities aligned with their goals.
Since nutritional information became important and popular concern about it grew dramatically, many food brands have foreseen this as an opportunity to build their identity.
We all have ideas. Some have great ideas. What is the difference between an idea and a big idea?
The advantage of agreeing with the client the sectorial diagnostic and the typological selection before proceeding to the brand's design.
Communicates' design as a mean to the conquest of plausibility: sender and referent transparency.
A brand choice conditioned by the profile of the organization and its communication.
This article analyzes the lack of information available to the design awards jury, and how that compromises their ability to actually evaluate the value of a project.
The typological role in identity reference.
Graphic design seeking for understanding between sender and receiver through communication.
In the dark days that live Mexico, emerges a discussion about how designers get involved with social conflicts.
The interprofessional critique taboo: insecurity, paranoia and corporatism refuge.
The combined role of programmatic restrictions and creativity in the accomplishment of message effectiveness.
Somebody has a problem and somebody has the answer to that problem, but... ¿How can we do to meet this couple?
A recommended structure for designing a political campaign.
To diagnose the “health state” of a client's brand is essential to tackle it's effective redesign.
The application of a multi sensorial study of packaging puts us nearer, more accurately, to a brand's global perception.
After the “premium” stage where design acts as quality mark, good design should become a “commodity”, a component of the welfare society we take for granted.
A question to which creative entrepreneurs have no answer to: the value of their proposal.
Design's social impact is a research area not covered enough by designers.
We launch the the first excellence awards for design, branding and communication professionals in Latin America.
Working unreflectively and predominantly for neutral or anti-social programs perpetuates a society characterized by inequalities.
Craft beers are opting for innovative designs, focusing more on communicating their quality and craftsmanship than denote European tradition.
The most succesful image social network, beyond predjudices about it triviality, is also a tool that can be used in marketing, visual education and ethnograpic research.
What is an image? How is it conceived? How is it part of a message?
Although to eradicate packaging waste may sound impossible to achieve, sustainability is a path to take and make improvements over time to reduce environmental impact.
Bad communication is a problem that we experience every day. Design plays an important role in communication and should be congruent.
Social design as a part of graphic design is not only a matter of concepts; it is fundamentally awareness on what is designed and what is done.
Who doesn't want to feel passion for what he or she likes, and loves?
The role of photography is still the same: to portray a moment. Real or imagined, the look of the creative is always there, seeing what others will see before shooting.
Not all pathways lead us to the same design, nor we all have to design through the same pathway.
Nowadays, is common to listen in almost every conversation “innovation” term. Everything must be “innovative”. However, innovation is not the same for everyone.
Human beings are born with several potentialities marked by genetics; nevertheless, today we know that we can develop some others through certain stimulus, like design.
A recognized puppet theater from Lima, multi-award winning internationally, active for half a century, is claiming against Channel 7 TV Perust for usurping their brand.
Design is often associated with normalization and sterilization. But handwriting is still a good way to reconnect with our roots and recover vitality.
Understanding how our perception works and how it affects us is the clue to produce really effective messages, not just award-winning ones.
The lack of strategic thinking in design and creativity proposals leads indirectly to the standardization of creative results.
We don't need to manage the present but we should lead the future.
Being efficacious entails doing the right things; being efficient, doing them correctly. Being effective means being efficacious and efficient.
The values and sensations that used to be conveyed through the physical characteristics of the medium should not be replaced by a void now.
On the shared construction of a design without geographical, academic or professional boundaries.
My job, designing brands for clients with global reach, involves a different approach from that of a traditional designer.
Every company needs names for their business, for their products, for their services, for their procedures, and even for their mascots (if they have them)!
Branding is connected with brand image, positioning and reputation. It is the result of an endless list of marketing and design strategies.
When a client rejects our work is usually because we do not take their opinion into account. We think that it is only us, the designers, who have the knowlegde.
Refreshing courses to specialize with the best.
Dealing with the client, budgeting and planning the stages of brand creation
15 hours (approx.)
Octubre
Professional practice workshop: analysis, diagnosis and branding program on real cases
30 hours (approx.)
Octubre
Keys for programming the design of high-performance logos and graphic symbols
20 hours (approx.)
Noviembre