

Some Ideas are Too Big
We all have ideas. Some have great ideas. What is the difference between an idea and a big idea?
Find the best thoughts, case studies, book references, debates and tips of interest for the professional practice category
We all have ideas. Some have great ideas. What is the difference between an idea and a big idea?
I'm sharing some things I've learned over the years, which have much to do with what we, the designers, do.
The tribute, robbery and theft of authorship, have blurred boundaries in the design practice.
Somebody has a problem and somebody has the answer to that problem, but... ¿How can we do to meet this couple?
Craftsmanship can not be limited to reproduce past tools and essentials. There is a minor market of handmade products that design should attend to.
In response to the article “Sign consumption”, the question arises: which is, or should be, design's relationship with economical culture?
Corporate identity design is changing. There are designers for whom quantity matters more than quality.
Designers must take care of the words we use to talk about our work.
The growing number of creative professionals that venture into entrepreneurship raises doubts and concern.
Who doesn't want to feel passion for what he or she likes, and loves?
Experience and career are based in dedication and hard work.
The role of photography is still the same: to portray a moment. Real or imagined, the look of the creative is always there, seeing what others will see before shooting.
Contests aren't the cause of the main structural problems of the design profession, but an excellent reflection of such problems.
Nowadays, is common to listen in almost every conversation “innovation” term. Everything must be “innovative”. However, innovation is not the same for everyone.
We don't need to manage the present but we should lead the future.
Being efficacious entails doing the right things; being efficient, doing them correctly. Being effective means being efficacious and efficient.
My job, designing brands for clients with global reach, involves a different approach from that of a traditional designer.
Every company needs names for their business, for their products, for their services, for their procedures, and even for their mascots (if they have them)!
When a client rejects our work is usually because we do not take their opinion into account. We think that it is only us, the designers, who have the knowlegde.
Can future designers create a sustainable personal image on any scenario that the market might present?
Why designers'compensation continues to be so low? A question that still calling for an answer.
In the market there are good and bad designers, good and bad clients, all sort of competition and prices. All of them are some of the components of the game to play.
In the competitive wine market the need to communicate concepts through label design is essential. Labels must capture the consumers’ attention and seduce them.
Refreshing courses to specialize with the best.
Dealing with the client, budgeting and planning the stages of brand creation
15 hours (approx.)
Octubre
Professional practice workshop: analysis, diagnosis and branding program on real cases
30 hours (approx.)
Octubre
Keys for programming the design of high-performance logos and graphic symbols
20 hours (approx.)
Noviembre